|The 2008 candidates' tax cut plans|
On top of this, I listened to "reasonable" Republican Senator Lamar Alexander of Tennessee tell his NPR interlocutor that not only did the country need not worry about the huge deficit-increasing effects of the Bush-GOP tax cut gimmicry overall ($4 trillion to the Treasury over the next decade), which was going to magically create jobs after having not done so for ten years, nor worry about the effects just of the cuts for billionaires ($700 million), but in fact, any future attempt to reset the tax rates to Clinton levels (which were quite low) or any other higher level would amount to "the largest tax increase in history."
You heard that--"the largest tax increase in history"--it's going to be trotted out like a sick show pony over and over and over as soon as the time is right.
On top of this, the payroll tax cut will reset in a year, meaning it either will be kept low, starving Social Security's trust fund or raised and labeled a "tax increase." Mind you, they are going to use these both to bash the Democrats' heads in throughout 2012. I need not say who is going to suffer the worst as a result of this, but he currently occupies 1600 Pennsylvania Avenue. But what can you do, he's beyond listening or reasoning, it appears. I asked the question a while ago: when did this president become a self-identified "Blue Dog," and did anyone else realize we were putting a Republican in the White House?
Tonight I ventured out briefly into the cold and snow (it's on again) to catch the second (and last?) in the Super R-Type word-based art series, curated by a d jameson at the Green Lantern Gallery's The Corpse Performance Space, in Ukrainian Village. (Some Chicago neighborhoods have such vivid names.) The lineup included painter and graphic artist Keiler Roberts, School of the Art Institute student Hyojin An, and poets Amira Hanafi and (publisher) Rachel Araujo. Roberts narrated a tour through her witty and engaging autobiographically based graphic work, which she said she turned to after years as a more conventional painter, though she did say that she still painted and drew. Her husband (and daughter, then still on the way) made an appearance in the works, which I plan to check out. One aspect of her work that I particularly liked was her use of blogs as creative devices to enable kinds of word-text pairings that are not that possible otherwise, and it intrigued me to think about these projects (she has started 2-3 blogs, from what I can tell) in relation to her graphic work/comics.
Chatroulette or other sites), I enjoyed hearing her talk through how she had come up with this project. She invited us to come create one, but I wasn't feeling so ready to do so. You can download them from her site, though. One other fun and funny project An created was a Facebook profile for "Foreign Er": do visit it to review it for yourself.
Concluding the evening and event were Hanafi and Araujo, who read together and in complementary fashion. Hanafi's project derived from culling Oxford English Dictionary entries related to "fucking," while Araujo's selections were drawn from her interest in human anatomy and her conceptualization of what might happen if one's right brain somehow ended up in one's crotch. They did create a dialogue that did raise the heat, especially Araujo's pieces, though both were less graphic--in the sexual sense--than I thought they might be. But then, had they were not allowed to project the old porno film clips, taken from the waiting rooms in Parisian brothels of an earlier era, that they had wanted onto the screen, but the gallery's picture glass front posed too much of a vice-squad risk. (Daley's Chicago is pretty liberal, but not that liberal, especially outside of certain neighborhoods.) Not even the falling snow provided enough cover. It did, however, make driving back north treacherous, and yet I'm here posting this, so I got my dose of mind food and it all worked out in the end.
Green Lantern Gallery's Devin, opening the event
Before the event
Series curator a d jameson
The cover of one of Keiler Roberts' graphic pieces/comics
A frame of Keiler Roberts' comics (it resembles Alison Bechdel's style a little here)
Some of the art in the gallery
Keiler Roberts chatting with an attendee
Hyojin An showing her images
One of An's pictographic signs
One of An's foreigner identity sheets
Curator jameson displaying his foreigner identity sheet
Curator jameson and An displaying prints of the foreigner ID sheets
Rachel Araujo and Amira Hanafi
Man and cloth mountain (this is not the name of this artwork, to be sure....)