Wednesday, December 19, 2007

Alphabet Soup, (10-I)

Hello, as i mentioned last week, i made a silly mistake..switching I and J in the Alphabet Soup, so todays post which should have been J is about I as we've had J last week..back on track next week with 11-K.

Got a great mixed bag today; The Infadels won Best Live Act and Best Dance Band before landing a contract and ever since they released their debut, 23 months ago, they've been touring like mad. What else can you expect from a band with Dead at Thirty as motto. Well their next album will be released spring 2008 so they did find some time for recording.. In Extremo is one of those bands that fuse music from the Middle Ages with current metal. I have to say i like that kind of back to the future music, Germans especially keep those days alive and provide an excellent backdrop at the many Medieval markets that are held throughout the country. In Extremo have released 10 albums this past decade, the one here-Wake the Dead- is their third. Take the trip.. Last one today is a vinylrip copy of an original from 73, one thats impossible to remaster without making a completely new album from it, strange and wild noises that sealed the fate of a band that at the time was discarded as awful and crazy, but as we know with hindsight, proved to be punk before we knew what punk was. Right, and 34 years later they released the follow up album to this, their original swan song "Raw Power".

***** ***** ***** ***** *****

Infadels - We Are Not The Infadels (06 ^ 99mb)

Infadels were founded in 2003 by Alex Bruford (drums-son of Bill), Matt Gooderson (guitar, programming) and Bnann (vocals) who were joined shortly afterwards by Dead at Thirty founder Richie (live keys) and bassist Wag Marshall-Page.The band have quickly established themselves as darlings of the UK live scene .

The band released two singles, Leave Your Body and Can't Get Enough/Murder That Sound on their own record label, Dead at Thirty before awards for Best Live Act and Best Dance Band at the 2004 Diesel-U-Music Awards sealed a move to Wall of Sound. In January 2005 the Infadels headed into the studio with Producer Jagz Kooner to begin production on what became their critically acclaimed debut album, We Are Not the Infadels.

In support of that album, Infadels have built up a reputation as one of the hardest working bands in the industry. In 2006 alone, they performed in excess of 150 shows in some 20 countries. This included 2 UK tours, 3 European tours, an Australian tour as well as numerous dates in the USA and Russia and 35 festival dates. As well as their headline shows they’ve also featured on tours supporting the likes of Chemical Brothers, Scissor Sisters, Hard-Fi, The Prodigy, and Faithless.

As of September 2007, Infadels are in the studio recording the follow up album with ex-Killing Joke and Verve producer Martin "Youth" Glover which will be called Universe in Reverse



01 - Love Like Semtex (3:47)
02 - Can't Get Enough (3:22)
03 - Topboy (3:51)
04 - Girl That Speaks No Words (4:18)
05 - Jagger '67 (3:26)
06 - 1'20" (1:20)
07 - Murder That Sound (5:33)
08 - Reality TV (3:41)
09 - Give Yourself To Me (6:12)
10 - Sunday (4:12)
11 - Stories From The Bar (7:06)

***** ***** ***** ***** *****

In Extremo - Weckt Die Toten ! (Wake The Dead) (98 ^ 98mb)

In Extremo (abbreviated InEx, or just IX) began as two projects: a nameless, purely medieval band, and a rock band. They became known at that time through frequent appearances at medieval market meetings, at which they performed their acoustic pieces and sold CDs of their renditions of traditional songs. During the recording for the 1995 season, Michael Rhein (alias Das Letzte Einhorn, engl. "The Last Unicorn") found the project name "In Extremo", Latin for "At The Edge."

Besides the electric guitar, bass, and drum set, In Extremo defines itself by unconventional (for a rock band) instruments mainly of medieval origin. They include the hurdy-gurdy, bagpipes, shawm, nyckelharpa, harp, cittern, tromba marina, hammered dulcimer, Klangbaum, and various types of drums and percussion. The bagpipes are the most conspicuous of these instruments, as Dr. Pymonte, Yellow Pfeiffer, and Flex der Beigsame all play bagpipes, sometimes all three at once. All of the band members play multiple instruments, and frequently rotate instruments between songs. Not all lyrics are written by the band, some come - like the instruments - from traditional songs written during the Middle Ages and Renaissance (8-15th century). The languages most frequently used include Icelandic, Old Swedish, Old French, Middle High German, Old High German, and Latin.

In August 1996, they began work on the first In Extremo album, which already contained two tracks of the new rock project. Because the album had no official name, it became known as "In Extremo Gold" because of the golden covers, it quickly sold out in Medieval markets. In Extremo played separately as a medieval and a rock band, until on March 29 1997, when they played their first live rock concert. Since that time, they have given this date as their date of establishment. Over the years, their music became increasingly heavier, while at the same time becoming increasingly commercially successful. The classical instruments, however - the bagpipes, shawms, and lutes - still play a large role. The band is likewise noted for their conspicuous stage costumes and known for using pyrotechnics in their concerts.



01 - Ai Vis Lo Lop (3:59)
02 - Stella Splendens (1:18)
03 - Hiemali Tempore (4:14)
04 - Rotes Haar (5:02)
05 - Villeman Og Magnhild (3:44)
06 - Como Poden (3:19)
07 - Palästinalied (5:19)
08 - Vor Vollen Schüsseln (3:32)
09 - Maria Virgin (4:56)
10 - Totus Floreo (3:37)
11 - Der Galgen (3:28)
12 - Two Soestra (2:32)

***** ***** ***** ***** *****

Iggy And The Stooges - Raw Power ( 73 ^ 80mb)

After playing in several local bands, Iggy Pop (born James Osterberg) formed the Stooges in 1967 after witnessing a Doors concert in Chicago. Adopting the name Iggy Stooge, he rounded up brothers Ron and Scott Asheton (guitar and drums, respectively) and bassist Dave Alexander, and the group debuted at a Halloween concert at the University of Michigan student union in 1967. For the next year, the group played the Midwest relentlessly, earning a reputation for their wild, primitive performances, specially Iggy gained attention for his bizarre on-stage behavior, performing shirtless, he would smear steaks and peanut butter on his body, cut himself with glass, and dive into the audience. The Stooges were infamous, not famous. As luck would have it an Elektra talent scout went to Detroit to see the MC5 and wound up signing their opening act, the Stooges, as well.

Produced by John Cale, the Stooges' primitive eponymous debut was released in 1969, and while it generated some attention in the underground press, it barely sold any copies. As the band prepared to record their second album, every member sank deeper into substance abuse, and their excess eventually surfaced in their concerts, not only through Iggy's antics, but also in the fact that the band could barely keep a simple, two-chord riff afloat. Fun House, an atonal barrage of avant-noise, appeared in 1970 and, if it was even noticed, it earned generally negative reviews and sold even fewer copies than the debut. Following the release of Fun House, the Stooges essentially disintegrated, as Iggy sank into heroin addiction.

For the next two years, the band was in limbo as Iggy weaned himself off heroin and worked various odd jobs. Early in 1972, Pop happened to run into David Bowie, then at the height of his Ziggy Stardust popularity. Bowie made it his mission to resuscitate Iggy & the Stooges, as the band was now billed. With Bowie's help, the Stooges landed a management deal and a contract with Columbia, and he took control of the production of the group's third album, Raw Power. Released in 1973 to surprisingly strong reviews, Raw Power had a weird, thin mix due to various technical problems. Although this would be the cause of much controversy later on -- many Stooges purists blamed Bowie for the 'no highs, no lows, and lots of distortion in between' mix -- its razor-thin sound helped kick-start the punk revolution. At the time, however, Raw Power flopped, essentially bringing the Stooges' career to a halt, with the band's disastrous final gig captured on the live album Metallic K.O.

In 1976, Bowie once again came to Iggy's rescue, helping him establish himself as a solo act by producing the albums The Idiot and Lust for Life and playing keyboards in Iggy's road band. more to read at Iggy - The Idiot



1 - Search And Destroy (3:28)
2 - Gimme Danger (3:28)
3 - Your Pretty Face Is Going To Hell (4:51)
4 - Penetration (3:28)
5 - Raw Power (4:20)
6 - I Need Somebody (4:55)
7 - Shake Appeal (2:59)
8 - Death Trip (5:49)

***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Tuesday, December 18, 2007

Eight-X, (10-79)

Hello, it's Eight-X time again, and regular visitors won't be surprised that today i'm exploring 1979, the year of the Ayatollah Khomenei who returned to Iran and established the Council of the Islamic Revolution. Later that year the 400 days hostage crises started at the US embassy...the demand: the return of the Shah that had flown the country, obviously to stand trial for his crimes against the Iranians. Not that unreasonable i would think. The sovjets started the ill fated occupation of Afghanistan, which in the end let to the demise of the Sovjet Union..will Iraq lead to the same outcome for the USA i wonder. Saddam comes to power, and soon starts appeasing the USA by attacking Iran. The 12th of july A "Disco Demolition Night" publicity stunt went riot at Comiskey Park, as 50,000 discohaters turned up instead of the expected 5,000. It forced the Chicago White Sox to forfeit their game against the Detroit Tigers.

To the music, Joe Jackson's Look Sharp cover is number 22 on Rolling Stone's list of the 100 greatest album covers of all time. How nice, and i still own exactly the same model shoes be it in black. The album didnt do that much in the UK initially and through his career Jackson has been more popular in the States. He quickly followed up his debut with I'm the man..bit to fast for the slower US market but together these 70 min make for a great start of his career, he added Beat Crazy a year later and then veered off into new directions. The Only Ones , like Joy Division made a much larger impact on the music scene than what one would expect from releasing just a couple of hours of music. Even Serpents Shine hasn't just an awesome cover, it's the highlight of the Only Ones career even though it didnt have a hit.. I added some .. Unknown Pleasures turned out to be a bleak and hollow sound for the nihilistic post punkers looking for direction and confirmation of "No Future". Well Ian Curtis left early, unable to cope with his epileptic attacks on top of all that. Unknown Pleasures is a classic album and like everything he participated in, his death gave it a larger than life aura, one thats been commercialy exploited for 25 years now.

The Specials managed to distill all the anger, disenchantment, and bitterness of the day straight into their music add to that Leadman Jerry Dammers insights creating and styling his own Two Tone label, the fire was so intense that the whole ska beat scene lost momentum within 2 years, and after the Specials released their loungy follow up they broke apart into Special AkA where Dammers freed Nelson Mandela and afterwards threw in the towel. Terry Hall, Neville Staples and Lynval Golding formed .Fun Boy Three, scored some hits but after a second album dissolved.

***** ***** ***** ***** *****

Joe Jackson - Look Sharp ! ( 79 ^ 83mb)

Joe Jackson (born David Ian Jackson, 11 August 1954) was a sickly child, afflicted with asthma, first diagnosed when he was three and producing attacks that lasted into his twenties. Prevented from playing sports, he turned to books and eventually music. At 11, he began taking violin lessons, later studying timpani and oboe at school. His parents got him a secondhand piano when he was in his early teens, and he began taking lessons, soon deciding that he wanted to be a composer when he grew up.

From the age of sixteen he played in bars, in 1972, he passed an advanced "S" level exam in music that entitled him to a grant to study music, and he was accepted at the Royal Academy of Music in London. Rather than moving to the city, he spent his grant money on equipment and commuted several days a week. However Jackson did not like the prospect of being a serious composer, and moved towards pop and rock. Jackson's first band was Edward Bear, later renamed Arms and Legs, they dissolved in 1976 after two unsuccessful singles. Although he was still known as David Jackson while in Arms & Legs, it was around this time that Jackson picked up the nickname "Joe", based on his perceived resemblance to the puppet character Joe 90

.Joe Jackson, as he now called himself, then spent some time in the cabaret circuit to make money to record his own demos.
In 1978 a David Kershenbaum ( A&R) heard his tape, and got him signed to A&M Records. The album Look Sharp! was recorded straight away. October 78 saw the release of his first JJ single "is she really going out with him ?" It flopped. January 79 hhis debut album Look Sharp was released, again largely unnoticed in the UK, however in the States it got picked up and when Is she really going out with him was released as a single there the album went gold, on such strong US feedback things picked up strongly for Joe in the UK aswell.

Meanwhile, Jackson toured more or less continually, playing dates in Continental Europe in June and then back in the U.K. through August before returning to North America. But he had found the time and inspiration to craft a quick follow-up to Look Sharp!, and his second LP, I'm the Man, was released on October 5. That was a little too soon for the U.S. market, where Look Sharp! had not yet exhausted its run, and while the album made the Top 40, it was a relative sales disappointment, with the single "It's Different for Girls" failing to enter the Hot 100. The story was different in the U.K., however, where I'm the Man made the Top 20 and "It's Different for Girls" reached the Top Five. Critically, the album was considered a continuation of Look Sharp!, an opinion shared by Jackson himself.

The Joe Jackson Band was very successful and toured extensively. After the breakup of the band, Jackson took a break and recorded an album of old-style swing and blues tunes, Jumpin' Jive, featuring songs of Cab Calloway, Lester Young, Glenn Miller, and most prominently, Louis Jordan. Jackson went through more personal changes over the next year. He and his wife divorced, and he moved to New York City, where, true to form, he began to immerse himself in new musical genres, particularly attracted to salsa and the classic songwriting styles of Gershwin and Cole Porter. The result was Night and Day, released in June 1982, Jackson's first album to put his keyboard playing at the center of his music. Jackson would call New York home for the next twenty years.

Jackson returned to the studio and emerged in March 1984 with Body & Soul, an album with a cover photograph showing him clutching a saxophone in the style of the 1950s LP covers of Blue Note Records. The disc inside was a follow-up to Night and Day in style, however, with a bit more of an R&B tilt, and it was another commercial success After more extensive touring Joe took 18 moths before recording Big World (86) which was basicly a live album as it was directly cut from a theatre performances. The instrumental "Will Power" set the stage for things to come later, but before he left pop behind he put out two more cerebral and celebratory albums, Blaze of Glory and Laughter & Lust. For some years he drifted away from the pop style, going on to be signed by Sony Classical in 1997, which released his Symphony No. 1 in 1999 for which he received a Grammy Award.

Having released only semi-classical works on his last three recordings, Jackson was thought to have abandoned pop/rock music completely, but that proved not to be true. The early years of the 21st century found him in a flurry of activity, much of it returning him to the pop music realm. In June 2000, Sony Classical, issued Summer in the City: Live in New York, an album drawn from an August 1999 concert that featured him playing piano and singing, backed only by Maby and drummer Gary Burke. Four months later came Night and Day II, a new set of songs in the spirit of his most popular recording. Touring to promote the album in Europe and North America from November to April 2001, Jackson recorded the concert CD Two Rainy Nights: Live in the Northwest (The Official Bootleg), released in January 2002.

Later in 2002, Jackson surprised longtime fans by reuniting with the original members of the Joe Jackson Band, Graham Maby, Gary Sanford, and Dave Houghton, to record a new studio album, Volume 4 (the first three volumes having been Look Sharp!, I'm the Man, and Beat Crazy), released by Restless/Rykodisc in March 2003, and go out on a world tour running through September 2003 that resulted in the live album Afterlife, issued in March 2004. His latest album, Rain still awaits official release in 2008, Jackson's last time on record was when he reunited most of his original band for the 'Volume 4' album. The title was a reference to the number of albums the band had made together over 25 years. 'Rain' could be considered Volume 5. It features Jackson on vocals and keyboards, with original Joe Jackson Band members Graham Maby (bass/vocals) and Dave Houghton (drums/vocals).



01 - One More Time (3:17)
02 - Sunday Papers (4:18)
03 - Is She Really Going Out With Him? (3:34)
04 - Happy Loving Couples (3:07)
05 - Throw It Away (2:48)
06 - Baby Stick Around (2:36)
07 - Look Sharp! (3:19)
08 - Fools In Love (4:21)
09 - (Do The) Instant Mash (3:10)
10 - Pretty Girls (2:53)
11 - Got The Time (2:51)

***** ***** ***** ***** *****
Joe Jackson - I'm The Man ( 79 ^ 84mb)

 

01 - On Your Radio (4:00)
02 - Geraldine And John (3:13)
03 - Kinda Kute (3:30)
04 - It's Different For Girls (3:40)
05 - I'm The Man (3:56)
06 - The Band Wore Blue Shirts (5:04)
07 - Don't Wanna Be Like That (3:41)
08 - Amateur Hour (4:03)
09 - Get That Girl (3:01)
10 - Friday (3:31)

***** ***** ***** ***** *****

Only Ones - Even Serpents Shine( 79 ^ 99mb)

The Only Ones were originally formed in August 1976 in South London by Peter Perrett. Perrett had been recording demos since 1973, and in late 1975 was introduced to guitarist John Perry as a temporary bass guitar player. (The guitarist at that time was Glenn Tilbrook of Squeeze). Perry wanted to concentrate on playing guitar, so by August 1976 he and Perrett then found drummer Mike Kellie (ex-Spooky Tooth); and bassist Alan Mair who previously had huge success with The Beatstalkers

Led by the raffish and slightly scuzzy romance-obsessed Peter Perrett, the Only Ones were one of the punk era's most underrated bands. Singing his intelligently crafted pop songs in a semi-tuneful whine of a voice and backed by a band that effectively combined youthful exuberance with gracefully aging veteran backing . Perrett was an astute chronicler of the vagaries of modern, dysfunctional love. Despite a career that lasted from 1978-1981 and one certifiable "hit" song to their credit (the brilliant "Another Girl, Another Planet"), the Only Ones became the archetypal contenders that never broke big, despite assurances from fans and critics that they couldn't miss.

Although they split up in 1981 after only three records, the Only Ones, due in large part to "Another Girl, Another Planet," became more influential than one would have guessed. Looking at the number of Only Ones releases over the past decade (a half-dozen at least) and you soon realize that a significant cult surrounding the band grew after their breakup. Ironically, it was the posthumous release of the sessions for John Peel's BBC show that, more than any of the proper studio releases, accurately displayed the muscle and smarts of this fine band. There have been many rumors surrounding Perrett's life after the Only Ones, many of them involving an alleged heroin addiction. Perrett did continue to record and release solo projects during the ' 80s, including a project known as the One in the mid-'90s.

The band reformed in 2007 following the band's biggest hit "Another Girl, Another Planet" being used in a Vodafone ad campaign in 2006. They completed a small UK tour in June and more dates are planned for the rest of the year.. They appeared at All Tomorrow's Parties festival in Minehead, England on 27 April and played at the Connect Music Festival in Scotland on the 1 September. With positive press and all..a live dvd is coming up and they are working on a new album at the moment.



01 - From Here To Eternity (3:04)
02 - Flaming Torch (2:18)
03 - You've Got To Pay (2:44)
04 - No Solution (2:21)
05 - Inbetween (3:53)
06 - Out There In The Night (3:00)
07 - Curtains For You (4:17)
08 - Programme (2:08)
09 - Someone Who Cares (3:08)
10 - Miles From Nowhere (3:42)
11 - Instrumental (3:52)
---Xs--
12 - Why Don't You Kill Yourself (2:45)
13 - No Peace For The Wicked (2:52)
14 - Another Girl, Another Planet (3:02)

***** ***** ***** ***** *****

The Specials - The Specials (79 ^ 98mb)

The band was originally formed in Coventry, in 1977, as the Coventry Automatics and later the Special A.K.A. by songwriter/keyboardist Jerry Dammers, with Terry Hall (vocals), Lynval Golding (guitar, vocals), Neville Staples (vocals, percussion), Roddy Radiation (guitar), Sir Horace Gentleman (bass), and John Bradbury (drums).
Dammers started his own 2-Tone label, named for its multiracial agenda and after the two-tone tonic suits favored by the like-minded mods of the '60s. The Dammers-designed logos, based in ' 60s pop art with black and white checks, gave the label an instantly identifiable look. Dammers' eye for detail and authenticity also led to the band adopting ' 60s-period rude-boy outfits. The band released the "Gangsters" single, which reached the U.K. Top Ten. Soon after the movement was in full swing. Over the next several months, 2-Tone enjoyed hits by similar-sounding bands, such as Madness, the (English) Beat, and the Selecter. Late in 1979, the band released its landmark self-titled debut album, produced by Elvis Costello, where The Specials managed to distill all the anger, disenchantment, and bitterness of the day straight into their music.They followed with several 2-Tone package tours and a live EP, Too Much Too Young that track, a pro-contraception song, was banned by the BBC but still reached the number one spot in the U.K.

At this time, the band switched musical directions, releasing album number two, More Specials, with a new neo-lounge persona. Signs indicated that the movement was fading, nevertheless, a film documenting the 2-Tone package tours, Dance Craze, as well as its companion album, saw considerable success. The Specials released the timely "Ghost Town" single in 1981 amid race-related unemployment riots in Brixton and Liverpool. The single jumped to number one, but the band was falling apart. Hall, Staples, and Golding left to form Fun Boy Three, leaving the band without its trademark voice. Dammers held on, reverting back to the old name, Special A.K.A., and enlisted a new vocalist, Stan Campbell. After several years, they returned with In the Studio in 1984. They managed a few hits with "Racist Friend" and "Free Nelson Mandella," but the album stiffed. The band's final single, "What I Like Most About You Is Your Girlfriend," failed to break the British Top 40. Dammers dissolved the unit, pursuing political causes such as Artists Against Apartheid.

Shortly after the official breakup, various members of the band joined up with other bandless ska revivalists (English Beat, etc.) to form a touring unit named Special Beat. By the mid-'90s, in response to the third wave ska revival, a Dammers-less version of the Specials reappeared with a series of shameful cash-in albums: Today's Specials (1996,) Guilty Til Proved Innocent! (1998,) and Conquering Ruler (2002.)



01 - A Message To You Rudy (2:52)
02 - Do The Dog (2:09)
03 - It's Up To You (3:23)
04 - Nite Klub (3:21)
05 - Doesn't Make It Alright (3:24)
06 - Concrete Jungle (3:18)
07 - Too Hot (3:09)
08 - Monkey Man (2:44)
09 - (Dawning Of A) New Era (2:24)
10 - Blank Expression (2:43)
11 - Stupid Marriage (3:48)
12 - Too Much Too Young (2:15)
13 - Gangsters (2:44)
14 - Little Bitch (2:31)
15 - You're Wondering Now (2:34)

***** ***** ***** ***** *****

Joy Division - Unknown Pleasures (79 ^ 99mb)

Joy Division formed in 1976, originally named Warsaw (reference to "Warszawa" by David Bowie)., the band consisted of Ian Curtis (vocals and guitar), Bernard Sumner (guitar and keyboards),[1] Peter Hook (bass guitar and vocals), and Stephen Morris (drums and percussion). To avoid confusion with the London punk band Warsaw Pakt, the band renamed themselves Joy Division in late 1977, borrowing their new name from the prostitution wing of a Nazi concentration camp in the 1965 novel The House of Dolls. During 78 they extended their local presence and self-released their debut EP An Ideal for Living in June 1978, which caught the attention Tony Wilson and thus they hooked up with Factory, late 78 Curtis suffered a severe epileptic attack. In spite of that, Joy Division's career continued to progress. Curtis appeared on the front cover of the 13 January 1979 issue of the NME and that same month the band recorded their first radio session for BBC Radio 1 DJ John Peel.

In April 1979, the band began recording their debut album Unknown Pleasures. Producer Martin Hannett contributed significantly to the final sound. The band initially disliked the "spacious, atmospheric sound" of the album, which did not reflect their more aggressive live sound.Unknown Pleasures was released in June and sold through its initial pressing of 10,000 copies. It turned Factory Records into a true business and a "revolutionary force". In January 1980, Joy Division set out on a European tour. While the tour was difficult, Curtis only experienced two grand mal seizures in the two months preceding the tour's final date. Martin Hannett again producing, the band recorded their second album Closer in March . Lack of sleep and long hours destabilized Curtis' epilepsy and his seizures became almost uncontrollable.Curtis would often have seizures during shows, which left him feeling ashamed and depressed.

Joy Division were due to begin their first American tour in May 1980. At the time, Curtis' relationship with his wife Deborah Curtis (the couple married in 1975 as teenagers) was collapsing. Contributing factors were his ill health, and his relationship with a young Belgian woman named Annik Honoré whom he had met on European tour. The evening before Joy Division were to embark on the American tour, Curtis returned to his home in Macclesfield in order to talk to his estranged wife. While he first asked Deborah Curtis to drop the divorce suit, he eventually told her to leave him alone in the house until he caught his train to Manchester the following morning.Early the following morning of 18 May 1980, Curtis hanged himself in the kitchen; Deborah Curtis discovered his body when she returned around midday.

The group's posthumous second album Closer (1980) and the single "Love Will Tear Us Apart" became their biggest commercial successes. After Curtis' death, the remaining members soon reformed as New Order and went on to achieve much critical and commercial success.

,

01 - Disorder (3:28)
02 - Day Of The Lords (4:43)
03 - Candidate (3:00)
04 - Insight (4:23)
05 - New Dawn Fades (4:45)
06 - She's Lost Control (3:53)
07 - Shadowplay (3:50)
08 - Wilderness (2:35)
09 - Interzone (2:12)
10 - I Remember Nothing (5:52)
---Xs--
11 - Atmosphere (4:09)

***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Monday, December 17, 2007

Around The World, (10)

Hello, today Around the World is in Nigeria once more to visit the King of JuJu Sunny Ade

King Sunny Ade is the undisputed king of juju music.Born to a Nigerian royal family in Ondo, Ade left grammar school to pursue his career, which began with Moses Olaiya's Federal Rhythm Dandies, a highlife band. He left to form The Green Spots in 1967. He formed a record label in 1974, fed up with being exploited by a major label. Beginning with Juju Music, Ade began gaining a wide following as Mango Records, a subsidiary of Island Records, released his albums. He was soon billed as the African Bob Marley, and headlined concerts in the US. Soon after, Nigerian imports (mostly pirated copies) of his massive back catalog began flooding the Western market. Island, concerned about sales and Adé's refusal to include more English in his repertoire, cut him loose after his third LP for them featuring Stevie Wonder, 1984's Aura didnt live up to the overbloated expectations they had. (As ever with these crooks its all about money not music).

By the end of the 1980s, Ade's star began to dim, and his albums sold less, though he continued to garner critical acclaim and widespread popularity in Africa. 1998's Odu, a collection of traditional Yoruba songs, was nominated for a Grammy Award. Ade has remained a powerful force in Nigeria. Money received from his early albums has been used to launch an oil firm, a mining company, a nightclub, film and video production company, a PR firm and a record label specializing in recordings by African artists. It's been estimated than more than seven hundred people are employed by Ade's companies..

With a phalanx of electric guitars that functions like a percussion section, and talking drums that sound like a gossipy Greek chorus, King Sunny Ade and His African Beats, all 20 of them, proved that African music could be as complex, dramatic, and symphonic as any European ensemble. Some thanks must go to French producer Martin Meissonier, who took the basic elements of Ade's sound--unison guitars, Yoruban drumming, seamless song medleys, and self-reflexive lyrics--and added a diverse assortment of Jamaican production techniques to heighten, deepen, and psychedelicize a sound that, with Ade's deliciously sweet vocals and the haunting strains of Demala Adepoju's Hawaiian 'space' steel guitar, was plenty wild to begin with.



King Sunny Ade & His African Beats - Odù (98, 70 min ^ 183mb)

01 - Jigi Jigi Isapa (5:38)
02 - Easy Motion Tourist (6:03)
03 - Alaji Rasaki (5:21)
04 - Mo Ri Keke Kan (4:05)
05 - Kiti Kiti (6:20)
06 - Natuba (6:16)
07 - Aiye Nreti Eleya Mi (12:53)
08 - Ibi Won Ri O (3:33)
09 - Kawa To Bere (5:34)
10 - Eri Okan (Conscience) (9:59)
11 - Kini Mba Ro (4:36)

diet version
King Sunny Ade & His African Beats - Odù (98 70min, * 99mb)
***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Sunday, December 16, 2007

Don't Panic !, (10)



Hello, space is the place...or is it ...a recap of last weeks episode (9th fit)

The episode opens with Ford and Arthur discussing Zaphod's sanity on board the Heart of Gold. Ford also starts correcting Arthur's grammar, forcing Arthur to refer to Earth in the past tense, as it had been demolished in Fit the First. Ford then begins to question the reason given for the demolition, stating "that was all done away with centuries ago. No one demolishes planets anymore." Ford has noticed another fleet of Vogon ships following the Heart of Gold at a distance of five light years for half an hour. He then calls for Marvin to bring Zaphod to the bridge.

Meanwhile, Prostetnic Vogon Jeltz confirms the identity of the ship and its occupants, then proceeds to wipe out half his crew in a fit of rage. After this massacre, he contacts Gag Halfrunt. Halfrunt is revealed not only to be Jeltz's psychiatrist (as well as Zaphod's), but also the psychiatrist who originally hired Jeltz to destroy first the Earth, then any survivors. Jeltz is asked to hold off on his final destruction of the Heart of Gold until Halfrunt can make an arrangement for fees still owed by Zaphod.

Halfrunt contacts Zaphod, who has since arrived on the Heart of Gold's bridge, but refuses to see the Vogon threat as anything more than a delusion of grandeur. Zaphod destroys the Heart of Gold's radio, then attempts to get the ship's computer to engage the Infinite Improbability Drive in order to get the Heart of Gold away from the Vogons. The computer states that this is not possible, as all its circuits have become busy with another task, and insists that the result will be something they can all "Share and Enjoy."

The Guide explains that "Share and Enjoy" is the motto of the Sirius Cybernetics Corporation Complaints Division. A song, sung by the company's robots, with voices a flattened fifth out of tune, is heard. Another product of SCC that never works, the Nutrimat, is introduced, as Arthur is attempting to get it to dispense tea. Arthur eventually converses with the Nutrimat, the floor and the ventilation system, trying to convince them that he wants tea, when Eddie the ship's computer is finally brought in, to work out "why the human prefers boiled leaves to everything we have to offer him...."

This is then revealed to be the problem preventing the computer from evading the Vogons. Zaphod decides to contact his great-grandfather, Zaphod Beeblebrox IV, through a seance. More background behind Zaphod's actual job and a conspiracy to discover the real ruler of the universe is revealed. As the episode ends, Eddie has been restored to normal function, and engages the IID, getting the ship out of firing range of the Vogons in the nick of time.


***** ***** ***** ***** *****
THHGTTG - Fit 10 (19mb)

2.36 - A Remarkable Effect On The Universe
2.37 - Some Kind Of Cave
2.38 - The Problems Of Real Life
2.39 - This Is Utterly Ludicrous
2.40 - The Hitchhiker's Guide To The Galaxy
2.41 - Come And Meet The Rest Of Us
2.42 - The Wise Old Bird
2.43 - Distastefully Explicit
2.44 - Arthur Is In The Thick Of It


***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Saturday, December 15, 2007

Sundaze, (10)

Hello Sundazers, in a way two sides of the ambient-techno coin here to day. The maybe somewhat naive IDM by a young German from a bavarian provincial town, as opposed to the clinical urbanite minimalism let loose on what was once techno. Maybe that british reserveness is genetic as Hawtin left that english provincial town (Banbury) age 7 for Ontario and spent much time in Detroit. Both work on alienation whilst Plastikman further deconstructs to find his core, Videonoise reconstructs seemingly random noise into a new vision.

***** ***** ***** ***** *****

Plastikman - Consumed ( 98 ^ 73:31 160mb)

Probably the best known of Richie Hawtin's production aliases, the Plastikman project helped push the minimal aesthetic of techno. While even his early recordings were quite minimalistic, he streamlined the sound increasingly over the course of his recording career; from the early '90s to the end of the decade, Hawtin's material moved from the verge of the techno mainstream into a yawning abyss of dubbed-out echo-chamber isolationism, often jettisoning any semblance of a bass line or steady beat. Hawtin released material on his own +8 Records under several aliases -- some in tandem with co-founder John Acquaviva -- and made the label one of the best styled in Detroit techno of the 1990s.

The Plastikman project debuted in 1993 with two releases for +8: the seminal "Spastik" single and an album, Sheet One. Hawtin's first wide release, however, came with the alter-ego F.U.S.E. (short for Further Underground Subsonic Experiments). A more varied and melodic project than Plastikman (but not by much), F.U.S.E. released the album Dimension Intrusion for the British Warp Records in late 1993. NovaMute signed an agreement with +8 and another Hawtin-founded label, Probe; Sheet One was reissued in 1994, followed by the second Plastikman LP, Musik. Much more restrained than Sheet One, the album fit in well with the growing ambient-techno movement.

Refused entrance into the USA for more than a year, he lost his inspirational grounding with the Detroit scene and found it difficult to continue recording for his third Plastikman album, Klinik. While he waited for re-entry, Hawtin spent time setting up the sub-label Definitive, and continued to DJ around the world. Though he recorded scattered singles for +8 and related imprints, his only full-length release that year was an excellent entry in the Mixmag Live! series, taken from a DJ set recorded at the Building in Windsor. By the time he was able to return to America, he had changed his musical direction and eventually abandoned the Klinik album.

Hawtin returned in 1996 his release schedule; during each month of the year, he issued a completely unadorned single recorded as Concept 1. Desperately minimal works, even compared to his earlier material, the singles showed Hawtin's reaction to the new-school of barely there techno coming from German labels -- all of them originally influenced in no small way by Plastikman recordings. Finally, in early 1998, he released his third Plastikman LP, Consumed, which proved to be just as brutally shadowed as the Concept 1 material. The continued experimentalist direction showed Hawtin coming full circle, back to his position on the leading edge of intelligent techno. Nearly every sound on Consumed registers in the lowest bass frequencies, except for the barely audible synths hovering, shadow-like, far behind the wall-shaking basslines. The album retains the ability to submerge listeners with its continuity, motifs, and overall tone, but never claims to be dance music. One track slowly merges with the next while the emotional tone instilled by Hawtin never wavers from consuming, contemplative alienation.

Many of the unreleased Klinik recordings surfaced in late 1998 on the compilation Artifakts .Five yearslater Plastikman released "Closer" where Hawtin takes his mastery of minimalism and use of space a couple steps further, rarely putting dance rhythms to use. Paranoia and claustrophobia persistently fester throughout. In a way it's as solitary and sobering as his DJ sets are communal and hedonistic.



01 - Contain (8:29)
02 - Consume (11:18)
03 - Passage (In) (0:54)
04 - Cor Ten (6:50)
05 - Convulse (Sic) (1:22)
06 - Ekko (3:55)
07 - Converge (4:24)
08 - Locomotion (8:49)
09 - In Side (12:37)
10 - Consumed (11:43)
11 - Passage (Out) (3:10)

diet version

Plastikman - Consumed (* 99mb)

***** ***** ***** ***** *****

Videonoise - Fragmentairy (02 ^ 93mb)

Christian Sörgel alias Videonoise is from Landsberg. After his debut from last year, he conjres up a new work full of beauty and strained elements. Many fragments build a whole. Songs starting with strange loops or samples, but then the tracks find each other, become something new, are slowly fading in the end. This album is very careful with sound and music: maybe it´s like you meet the songs, you watch each other fot a little while, then they go away. Electronic sounds are the basics, but there are also guitars and samples, and smooth melancholy.



01 - And Being Inside Doesn't Mean You're In (3:50)
02 - Dare (2:57)
03 - Trashhould (3:03)
04 - Die Echolotdaten (3:06)
05 - Psychotic Download (4:24)
06 - _________ (4:22)
07 - Fragmentary (7:11)
08 - Pelao (3:06)
09 - Nulldurchgang (3:46)
10 - Monosong (4:09)
11 - Die Altstadt (5:33)

***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Friday, December 14, 2007

Rhotation, (10-Into BPM)

Hello, starting the 10th Rhotation today, i believe thusfar the format has worked well and i plan to carry it on into the next year . You're always welcome to comment or discuss what's been posted here. Today the BPM comes from the elektro that burst on the scene around the millenium change. Chicks On Speed may suggest dope, but these girrrls are just overactive..doing much more than just release music, running Go Records, Stop Records, and Chicks on Speed Records, doing video designs, print graphics and art installations.First and foremost, their interests lie in art, something that also characterizes their live performances. I'd say hyperactive those chicks.. T-Quest reinvented himself as Dr Elektroluv, the ultra-green DJ, having been embedded in the electronic music scene in the nineties, he wasted no time to keep the party going in the new year zero, in 2002 he released his first compilation of sometimes obscure elektro artists, he kept his dancefloor going and this last summer saw the release of his 7th mix album-this time a fully live affair. I planned to connect his 2nd and 3rd album but sizewise it was all a bit tedious, both 70 min + mixes went well over 100mb in ogg7 and both well over 300mb in ogg 9 so no splitting in 3 parts.  And so i post both seperately as a ogg 9 download.

***** ***** ***** ***** *****

Chicks On Speed - 99 ¢ (03 *^ 99mb )

Appropriate to their arty, Eurotrash vibe, Munich native Kiki Moorse, New Yorker Melissa Logan, and Australian Alex Murray-Leslie met in 1997 at a bar near Munich's Art Academy.Soon after, they were releasing limited-edition, critically-acclaimed singles such as Smash Metal, which pitted the group against Patrick Pulsinger, DMX Krew, and DJ Hell (whose album Munich Machine they also appeared on), as well as the ironic, pseudo-house anthem Glamour Girl. Their live shows ranged from appearances at 2000's Love Parade festival to touring with Console and Super Collider to gigs at renovated mental hospitals. Mid-2000 saw the release of their debut album Will Save Us All!; later that year, the rarities collection The Re-Releases of the Un-Releases was issued by K Records in the U.S. Along with the release of several Will Save Us All! tracks as singles in 2000, Chicks on Speed stayed busy with the release of the Chix 52 EP -- an homage to the B-52's -- later that year. Along with crafting deconstructed, feminist-leaning synth pop, the group also runs Go Records, Stop Records, and Chicks on Speed Records; designs video and print graphics and art installations; and makes and sells avant-garde paper and leather . In 2002 they embarked on their first large-scale US tour as part of Larry Tee's Electroclash dates. In 2003, the We Don't Play Guitars single heralded the arrival of their next album , 99 Cents, it reaffirmed that the band is more of a smart electronic pop project than anything else: fashion, consumerism, and conventional notions of originality and authenticity are all questioned and played with in the group's intellectually mischievous way.

Chicks on Speed do this most overtly on the album's singles, such as the anti-rock of "We Don't Play Guitars," which nevertheless features a six-string solo and cameo from kindred spirit Peaches. The band borrows the Tom Tom Club's highbrow but inclusive dance-pop of "Wordy Rappinghood" and emphasizes its party vibe by inviting virtually every likeminded female electronic artist -- including Miss Kittin, Kevin Blechdom, Le Tigre, Adult.'s Nicola Kuperus, and the Tom Tom Club's own Tina Weymouth -- to sing on the track. Where Will Save Us All! was a blast of righteous electro-punk energy, this album sounds more like fighting the system from within, with a surprisingly pretty, polished pop side that borrows mainstream dance-pop and urban production techniques. The choppy, acoustic melancholia of "Coventry" conveys the isolation of modern life far better than a harangue about it would; likewise, "Culture Vulture" makes the most of Kiki's Nico-like vocals. An unusually melancholy undercurrent colors 99 Cents, particularly on the trophy-girlfriend lament "Love Life" and "Shick Shaving," a pretty, and pretty disturbing, Miss Kittin-sung track that mixes images of shaving and cutting. It's a far cry from the emphatic style of Will Save Us All! but it shows how willing Chicks on Speed are to challenge themselves as well as their listeners.

In 2004, their third album, Press The Spacebar was released. The album was a collaboration with the Spanish band The No-Heads. To date no singles have been issued from the album, though interestingly it includes a new version of Culture Vulture, a song from their previous LP release on 99 cents.The Chicks are currently finishing a new album, which is scheduled for release in 2007(didnt happen), with a 12" single release of ART RULES! featuring Douglas Gordon in November 2006. Anat Ben-David who has collaborated on the new album will become a proper member of Chicks on Speed for the new release project. Kiki Moorse, once founding member, has now departed CoS to pursue a career in DJing. She also has a new music project, called Bad French, with Andreas Reihse of Kreidler.



01 - Shooting From The Hip (4:39)
02 - We Don't Play Guitars (Voc. Peaches) (3:54)
03 - Wordy Rappinghood (6:26)
04 - Coventry (3:43)
05 - 99 ¢ (3:33)
06 - Sell Out (3:52)
07 - Culture Vulture (3:43)
08 - Universal Pussy Y (4:28)
09 - Love Life (4:14)
10 - Shick Shaving (Ft.Miss Kittin )(4:20)
11 - Fashion Rules! (4:24)
12 - Flame On (4:54)

***** ***** ***** ***** *****
Dr. Elektroluv' sPills (^322mb)

Dr. Lektroluv (Stefaan Vandenberghe) first incarnation was T-Quest, his earliest musical influences go back as far as Kraftwerk, Fad Gadget, Nitzer Ebb or Liaisons Dangereuses. The short-lived but fierce New Beat era and the acid house period further sharpened his appetite for electronic dance music. In the early 90's as T-Quest he started out as a DJ on a local radio station with 'Behind The Beat', a two hours non-stop program with the latest and upcoming sounds from the underground.
At about the same time he started working in the Music Man record store and a couple of years later moved on to the A&R department of the Music Man label for which he created the instant-recognisable 'silver' outlook. Since 1994 Stefaan signed artists such as Secret Cinema, Cherry Bomb, Metro Dade, Sound Associates, Percy X, Steve Rachmad, Green Velvet, Steve Stoll an did compilations with Dave Clarke and Jeff Mills. He holds a residency at Kozzmozz, played in Belgian's most famous clubs as well as festivals (10 Days of Techno, I Love Techno). He travelled the world with his record bags, for his first studio production, Stefaan Vandenberghe joined hands with Frank De Wulf. 'Play' was released on R&S records as Frank De Wulf vs. T-Quest. His second release, a solo effort, first surfaced somewhere at the end of 1996 as a limited twelve-inch. Later on Stefaan produced an exclusive track ('Cakewalk') for the Kozzmozz compilation under the moniker of SubSurf.

He emerged at the beginning of the 21st century, as Dr. Elektroluv playing at the Body to Body parties at Culture Club in Ghent. He is known for his green mask and mixing using a telephone instead of headphones. He describes his style as : "Everything has an electronic feel, from italo to house and from electro to techno." Lektroluv regularly releases compilations (7 between 2002 and 2007) on the NEWS label, mixing classic electro-gems with some fresher releases.Although Dr. Lektroluv has become a giant within his native Belgium and The Netherlands he remains relatively unknown beyond despite receiving good reviews in the UK press in particular.



VA - The New Preskriptions Of Dr. Lektroluv (02 ^ 156mb)

01 - Crossover - Lucida Obscura
02 - Parallax Corporation, The - Fear
03 - Jimi Tenor - Take Me Baby
04 - Crème De Menthe - Plastique
05 - Hong Kong Counterfeit - Metal Disco (Legowelt vs. Orgue Electronique Mix)
06 - Bangkok Impact - Junge Dame Mit Freundliche Tel (Frisky Disko Mix)
07 - Japanese Telecom - Mounting Yoko
08 - Afrika Bambaataa & Soulsonic Force - Planet Rock
09 - Dexter - I Don't Care
10 - Drexciya - Funk Release Valve
11 - Dexter - Echopark
12 - Le Syndicat Electronique - Run
13 - Artist Unknown - Errorist
14 - Memory Boy - (There Is No) Electricity
15 - Ectomorph - Parallax View
16 - ADULT. - Hand To Phone
17 - Phoenecia - Odd Job (Adult's Compurhythm Version)
18 - Andreas Dorau & Die Marinas - Fred Vom Jupiter



VA - Infekted By Dr. Lektroluv (03 ^ 166mb)

21 - Sterac Electronics - Legacy Of A Lost World
22 - Jollymusic - Radio Jolly (The Parallax Corporation Heavyweight Remix)
23 - Legowelt - Chokolecktrik
24 - Japanese Telecom - Japanese Animation
25 - Crème De Menthe - We Are Living In The Night
26 - Monkeyshop - 'Barbara!!! Buy A Monkey!'
27 - Alden Tyrell - Love Explosion
28 - ADULT. - Nausea (Mega-Blend)
29 - Trans-X - Living On Video (Edit)
30 - D.I.E. - Out With The Old
31 - Little Computer People - Electro Pop
32 - Twinnie - Waiting For My Love
33 - Anthony Rother - Krieg
34 - New York City Survivors - The Game
35 - Depeche Mode - The Dead Of Night (Electronicat Remix)

***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Thursday, December 13, 2007

Into The Groove, (09)

After a scary start of the day ..my computer didnt even show a bios.. and restarts didnt work...autostart cdees didnt work either...i threw the switch at the back..hmm 20 sec later i threw the switch back..pushed the button..and all was well again..up pops a message from microsoft that they had removed trojandownloader: win32/renos.gen!I how nice, yet some people would have flipped being confronted with what seemed a completely dead pc..Way to go Microsoft... Btw nobody thusfar noted my BIG mistake yesterday, well -I- will make amence next week.

Hello, today into the groove focusses on one artist, The Rhythym Funk Master...Hamilton Bohannon, after a career at Motown he was already past 30 before he released his first solo album, subsequently he released a dozen albums in the seventies, a decade later i collected a number of them. Now Hamilton had the habit of splitting his albums into a dance/funky side and a ballad side, a format that did justice to the vinyl yet less so to the cd format..so you won't find his original work as such, though there are some collections around. I picked three albums, to give you a good impression of his work.

After graduating from Clark College, Atlanta, and playing in local bands, Bohannon was hired by Stevie Wonder to be the drummer in his touring band. He moved to Detroit in 1965, and was employed by Motown as band leader and arranger for many of the label’s top acts. When Motown moved from Detroit in 1972, he stayed behind to form his own band. He signed with Dakar/Brunswick Records, and in early 1973 released the album Stop And Go. This was followed by five more albums for the label over the next two years, on which he perfected his formula of heavy, thudding bass accents and aggressive rhythms. Although several of his tracks were club hits but he had only limited chart success .

In 1976 Bohannon signed to Mercury Records, and two years later had his biggest success with "Let’s Start The Dance". It made the R&B Top Ten and featured the singer Carolyn Crawford, whose subsequent albums Bohannon went on to produce.Bohannon kept recording for Mercury, though barely getting light chart action in 1979 and 1980. He started Phase II Records in 1980 and recorded there until 1984. Bohannon introduced another vocalist, Liz Lands, on a remake of the Originals' "Baby, I'm for Real," which was included on the 1980 LP One Step Ahead. He signed with MCA in 1984 and recorded several albums. His 1989 release Here Comes Bohannon featured another fresh female voice, Alltrinna Grayson. "It's time to Jam" (1990) was his last housemusic inspired album .

***** ***** ***** ***** *****
Hamilton Bohannon - Insides Out (75 ^ 98mb)

Bohannon's distinctive sound is in place from the opening moments of "Foot-Stompin' Music": two rhythm guitars playing cross rhythms over a steady bass and drum vamp, and not too much else. "East Coast Groove" is similar, but less original, borrowing its groove from the distinctly West Coast "Dance To The Music." Side Two is mostly turned over to near-instrumental slow ballads ("Thoughts And Wishes," "Love Is Fading"), with Bohannon's thin voice piping out the leads, such as they are... it's the sort of piano-led light fusion you might hear on contemporaneous work by, say, Ramsey Lewis, and successful in its small way, though I'd be a lot happier if the tunes averaged three minutes rather than six. The concluding "Happy Feeling" blends both styles, with a midtempo dance beat and a curiously dissonant keyboard line. As with nearly all the records to follow, everything was written, arranged, directed and produced by Bohannon. The band is Fernando Saunders (bass); Leroy Emmanuel (guitar); Mose Davis, Rod Lumpkin, Van Cephus and Harold McKinney (keyboards). (DBW)



01 - Foot-Stompin Music (7:11)
02 - East Coast Groove (5:34)
03 - Disco Stomp (5:05)
04 - Love Is Fading (7:07)
05 - Thoughts And Wishes (5:30)
06 - Keep On Being My Girl (3:26)
07 - Happy Feeling (6:43)

***** ***** ***** ***** *****

Bohannon - Phase II (77 ^ 82mb)

The title either refers to Bohannon's switch from Brunswick to Mercury, or to the birth of his son Hamilton F. Bohannon Jr. In any case, there's finally a change in the approach, as the midtempo opener "Andrea" is relatively complicated and lushly orchestrated (by Johnny Allen, another Motown vet). "Daddy's Little Son" - with "Isn't She Lovely"-style crying from little Hamilton - is similar but less memorable. The funky dance tracks are on Side Two this time, starting with the single "Bohannon's Disco Symphony," and even that features some pseudo-Romantic piano along with the usual guitar scratching. McKinney is the album's featured soloist, playing piano on four of the seven tracks, and he makes good use of the opportunity, finding different approaches each time. The core band is the same; guest guitarists Melvin "Wah Wah" Ragin and Ray Parker Jr. thicken the stew, which is particularly helpful on the less developed numbers ("Just Doing My Thang"). (DBW)



01 - Andrea (6:12)
02 - But What Is A Dream (5:15)
03 - Daddy's Little Son (5:40)
04 - Bohannon's Disco Symphony (6:37)
05 - Isn't It A Beautiful Morning (4:45)
06 - Just Doing My Thang (4:37)
07 - Moving Fast (3:21)

***** ***** ***** ***** *****

Bohannon - Alive (81 ^ 98mb)

This can be considered a remix album, three remakes of "Start The Dance," and two each of "A Happy Song For You" and the familiar funk jam "Take The Country To New York City" ( featuring Maceo Brown and Fred Wesley regurgitating horn charts originally written for P-Funk). So you'll almost literally not hear anything you haven't heard before, but on those terms it's fairly decent: "Let's Start II Dance Again" is livened up with frantic rhythm guitar, female vocals, and a rap from Dr. Perri Johnson. The instrumental version of the pleasantly dippy "A Happy Song For You" spotlights an endless trumpet solo, and the ballad "You're The One" features unpredictable vocalizing from Lands. (DBW)



01 - Let's Start The Dance Part II (6:37)
02 - Take The Country To New York City (5:46)
03 - Let's Start II Dance Again (7:30)
04 - A Happy Song For You Part I (4:49)
05 - You're The One (5:47)
06 - Take The Country To New York City (Instrumental) (4:29)
07 - A Happy Song For You Part II (4:44)
08 - Start The Dance (Inserts) (2:16)

***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !